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Madrigal (Italian: madrigale) is the name of a form of poetry, the exact nature of which has never been decided in English. [1]Definition and Characteristics. The New English Dictionary defines a madrigal as "a short lyrical poem of amatory character," but this definition is broad and not entirely accurate.
A madrigal is a form of secular vocal music most typical of the Renaissance ... As a form of poetry, the madrigal consisted of an irregular number of lines (usually 7 ...
Fair Phyllis (also Fair Phyllis I saw, Fair Phyllis I saw sitting all alone) is an English madrigal by John Farmer. The music is polyphonic and was published in 1599. The madrigal contains four voices and uses occasional imitation. It also alternates between triple and duple beat subdivisions of the beat in different parts of the work.
The Lagrime di San Pietro is probably the most famous set of madrigali spirituali ever written. Although sacred madrigals were a small subset of the total output of madrigals, this set by Lassus is often considered by scholars to be one of the highest achievements of Renaissance polyphony, and appeared at the end of an age: within 10 years of its composition, the traditional stile antico had ...
[17] [1] Much of the poetry of Arcadelt's madrigals has remained anonymous, just as some of Arcadelt's music is believed to survive anonymously. Another poet he set was Giovanni Guidiccioni, who wrote the words to his most single famous composition, and one of the most enduring of the entire 16th century: the four-voice madrigal Il bianco e ...
In the 16th century, Bembo's poetry, essays and books proved basic to reviving interest in the literary works of Petrarch. In the field of music, Bembo's literary writing techniques helped composers develop the techniques of musical composition that made the madrigal the most important secular music of 16th-century Italy. [2]
Giulio Fiesco (possibly born ?1519, fl. 1550–1570) was an Italian composer of the Renaissance, active in Ferrara, known for his madrigals.He was the first composer to set the poetry of Giovanni Battista Guarini, the most often-set poet by madrigalists of the late 16th century, and was an important court composer for the rich musical establishment of the Este family in Ferrara.
The English Madrigal School was the intense flowering of the musical madrigal in England, mostly from 1588 to 1627, along with the composers who produced them. The English madrigals were a cappella , predominantly light in style, and generally began as either copies or direct translations of Italian models.