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Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
The presence of horses in Chinese art was particularly notable during the Tang dynasty, when many masterpieces prominently featured these animals. Noteworthy examples include the famous Flying Horse of Gansu [16] and the Six Steeds of Zhao Mausoleum. The horse emerged as a distinct artistic subject early in Chinese history. [17]
Horses are real creatures, of the family Equidae—quick-paced, hoofed quadrupeds, existing now and historically, in China, among other places. Many breeds have been used or developed for food, transportation, and for military power for thousands of years, in the area of China, and elsewhere, as well as sometimes being loved or cherished, as pets companions, or inspirations for art.
Chinese calligraphy is the stylized, artistic writing of Chinese characters; the written form of Chinese that unites the languages spoken in China. Calligraphy is considered supreme among the visual arts in China and sets the standard for which Chinese painting is judged. Chinese calligraphy and painting are closely related. [1] [needs context]
Lü Xing is an ancient Chinese book that records legal principles, judicial system, and atonement.. Tattoos have been documented since the ancient Shang dynasty, when the Zhou refugees Wu Taibo and Zhongyong were recorded cutting their hair and tattooing themselves to gain the acceptance of the Jīngmán people (t 荊蠻, s 荆蛮) of the Yangtze River Delta prior to the establishment of the ...
Pages in category "Chinese iconography" The following 20 pages are in this category, out of 20 total. ... List of Chinese symbols, designs, and art motifs; N. Nine ...
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The Horses of Neptune, illustration by Walter Crane, 1893. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.