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  2. Calavera - Wikipedia

    en.wikipedia.org/wiki/Calavera

    Sugar skulls before decoration. Sugar skulls offered for sale in Mexico. Large sugar skull offered for sale in Mexico. "Calaveritas" (little skulls) made of chocolate and sugar for sale in Mexico. Traditional production methods with molds have been used for a long time. The process involves using molds to cast the calaveras. Production can be a ...

  3. La Calavera Catrina - Wikipedia

    en.wikipedia.org/wiki/La_Calavera_Catrina

    La Calavera Catrina ("The Dapper [female] Skull") had its origin as a zinc etching created by the Mexican printmaker and lithographer José Guadalupe Posada (1852–1913). The image is usually dated c. 1910 –12. Its first certain publication date is 1913, when it appeared in a satiric broadside (a newspaper-sized sheet of paper) as a photo ...

  4. Skull art - Wikipedia

    en.wikipedia.org/wiki/Skull_art

    Skull art is found in various cultures of the world. Indigenous Mexican art celebrates the skeleton and uses it as a regular motif. The use of skulls and skeletons in art originated before the Conquest : The Aztecs excelled in stone sculptures and created striking carvings of their Gods. [ 1 ]

  5. A celebration of life after death: 'Sugar Skull!' tells the ...

    www.aol.com/news/celebration-life-death-sugar...

    Oct. 7—The beauty and tradition of Mexico's Day of the Dead celebrating our ancestors is brought to life on stage through "Sugar Skull! A Día de Muertos Musical Adventure." The performance ...

  6. What Exactly Are Ofrendas, and How Are They Related to ... - AOL

    www.aol.com/lifestyle/exactly-ofrendas-related-d...

    Calaveras de azúcar, sugar skulls, are a pretty popular one. The National Museum of Mexican Art has an annual Día de los Muertos art exhibit, and Mexican artist Alejandro García Nelo created ...

  7. Frida Kahlo - Wikipedia

    en.wikipedia.org/wiki/Frida_Kahlo

    Further problems arose when the gallery refused to show all but two of Kahlo's paintings, considering them too shocking for audiences, [52] and Breton insisted that they be shown alongside photographs by Manuel Alvarez Bravo, pre-Columbian sculptures, 18th- and 19th-century Mexican portraits, and what she considered "junk": sugar skulls, toys ...