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Slack-key guitar (from Hawaiian kī hōʻalu, which means "loosen the [tuning] key") is a fingerstyle genre of guitar music that originated in Hawaii. This style of guitar playing involves altering the standard tuning on a guitar from E-A-D-G-B-E, which has been used for centuries, so that strumming across the open strings will then sound a ...
He made the first LP of slack key instrumentals, co-wrote the second slack key instruction book, and composed a number of pieces that have become part of the standard repertory. Most players will include Kwan, along with Gabby Pahinui, Sonny Chillingworth, and Atta Isaacs, on a list of the most significant players of the older generation. [1]
Drop C tuning (CGCFAD) Drop C tuning (CGCFAD) (listen) Drop C tuning is an alternative guitar tuning where at least one string has been lowered to a C, but most commonly refers to CGCFAD, which can be described as D tuning with a 6th string dropped to C, or drop D tuning transposed down a whole step.
The English term is a translation of the Hawaiian kī hō‘alu, which means "loosen the [tuning] key". Slack key is nearly always played in open or altered tunings—the most common tuning is G-major (D–G–D–G–B–D), called "taropatch", though there is a family of major-seventh tunings called "wahine" (Hawaiian for "woman"), as well as ...
Slack-key guitar; This page was last edited on 21 June 2013, at 10:20 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
In 1975, Kotani enrolled in Peter Medeiros' slack key guitar class at the University of Hawaii Continuing Education program. In 1976, Kotani began to study privately with slack key legend Sonny Chillingworth. Kotani returned to the University of Hawai'i program in 1986 to teach and pass on his knowledge of the Hawaiian slack key style to others.
Enjoy a classic game of Hearts and watch out for the Queen of Spades!
C 6, E 6, E 7, E 6/9 and other such tunings are common among lap-steel players such as Hawaiian slack-key guitarists and country guitarists, and are also sometimes applied to the regular guitar by bottleneck (a slide repurposed from a glass bottle) players striving to emulate these styles.