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Using the Bach edition prepared by cellist Johann Friedrich Dotzauer and published by Breitkopf & Härtel in 1826, Robert Schumann wrote arrangements with piano accompaniment for all six Bach cello suites. [17] Schumann's publisher accepted his arrangements of the Bach violin sonatas in 1854, but rejected his Bach cello-suite arrangements. [18]
Johann Sebastian Bach composed suites, partitas and overtures in the baroque dance suite format for solo instruments such as harpsichord, lute, violin, cello and flute, and for orchestra. Harpsichord [ edit ]
Works for solo violin, cello or flute (not including works for solo keyboard instruments or lute which are contained elsewhere in the BWV catalogue and the New Bach Edition); Chamber music works for two or more players (where concertos for multiple players, and orchestral suites also fall outside the chamber music designation)
BWV 819a – Suite in E-flat major (alternative version of movement 1: Allemande from BWV 819) BWV 820 – Overture (Suite) in F major; BWV 821 – Suite in B-flat major (doubtful) [3] [4] BWV 822 – Suite in G minor, play Gavotte in G Minor, simulating a viola ⓘ BWV 823 – Suite in F minor
For more Bach transcriptions by Busoni, see: List of adaptations by Ferruccio Busoni#Transcriptions (BV B 20 to 115) Bach-Busoni Editions; Charles Gounod's Ave Maria is based on Prelude No. 1 of Book I of The Well-Tempered Clavier. Francisco Tárrega transcribed a variety of Bach works, including his Fugue from Violin Sonata No. 1, BWV 1001
The Prelude in F minor of The Well-Tempered Clavier book 1, in the BGA known as Vol. 14, p. 44, over eighty years before it was given the number 857 in the Bach-Werke-Verzeichnis. In the 2nd half of the 19th century the Bach-Gesellschaft (BG) published all Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA). [3]