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The idea of a Greek influence on the development of Buddhism has been particularly advocated by Étienne Lamotte [62] and Thomas McEvilley, who has speculated that “like the Gandharan art style, the Gandharan Buddhist style must have had a prominent Hellenic factor”, [63] although he does not employ the term "Greco-Buddhism" for this ...
Buddhism has influenced Greek literary tradition to some extent, as evident in the works of Nikos Kazantzakis. [3] There are many Buddhist centers in Greece, four centers founded by the Diamond Way and other centers in cities such as Athens , Thessaloniki , Sparta and Rhodes .
Women in Buddhism is a topic that can be approached from varied perspectives including those of theology, history, archaeology, anthropology, and feminism.Topical interests include the theological status of women, the treatment of women in Buddhist societies at home and in public, the history of women in Buddhism, and a comparison of the experiences of women across different forms of Buddhism.
The Greco-Buddhist art or Gandhara art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism.It had mainly evolved in the ancient region of Gandhara, located in the northwestern fringe of the Indian subcontinent.
Greco-Buddhism was the cultural syncretism between Hellenistic culture and Buddhism, which developed in the Indo-Greek Kingdoms. By the advent of Christianity , the four original patriarchates beyond Rome used Greek as their church language.
The American group Elaion uses the term "Dodekatheism" (Greek: δώδεκα, dodeka, "twelve" + θεϊσμός, theïsmós, "belief in the gods") to describe their approach to the Hellenic religion, stating that the term "has been used for some time within and outside Greece to refer to ancient Greek religion and we feel that it is important ...
The Catalogue of Women (sixth century BC?) [2] is a fragmentary poem attributed to Hesiod; [3] the work is structured around a large genealogy of mortals, Hellen's family being described in Book 1 of the poem.
While the laws regarding divorce may seem relatively fair, considering how little control women had over most aspects of their lives in ancient Greece, women were unlikely to divorce their husbands because of the damage it would do to their reputation. [14] As women were barred from conducting legal proceedings, the kyrios would do so on their ...