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Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. [1]
The Annoyance Theatre has grown into multiple locations in Chicago and New York City. It is the home of the longest running musical improv show in history at 11 years. [7] In 2012, Lebanese writer and director Lucien Bourjeily used improvisational theater techniques to create a multi-sensory play entitled 66 Minutes in Damascus. This play ...
From the outset, the fantasia had the sense of "the play of imaginative invention", particularly in lute or vihuela composers such as Francesco Canova da Milano and Luis de Milán. Its form and style consequently ranges from the freely improvisatory to the strictly contrapuntal, and also encompasses more or less standard sectional forms. [ 1 ]
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Improvisational comedy is a theatre art performed throughout the world and has had an on-again, off-again status throughout history. Some of the more famous improv theatres and training centers in the world include: i.O. (formerly ImprovOlympic) in Chicago and Los Angeles, The Second City in Chicago and Toronto, The Players Workshop in Chicago ...
Richard Wagner's Bayreuth Festival Theatre.. A wide range of movements existed in the theatrical culture of Europe and the United States in the 19th century. In the West, they include Romanticism, melodrama, the well-made plays of Scribe and Sardou, the farces of Feydeau, the problem plays of Naturalism and Realism, Wagner's operatic Gesamtkunstwerk, Gilbert and Sullivan's plays and operas ...
The antecedents of musical theatre in Europe can be traced back to the theatre of ancient Greece, where music and dance were included in stage comedies and tragedies during the 5th century BCE. [3] [4] The dramatists Aeschylus and Sophocles composed their own music to accompany their plays and choreographed the dances of the chorus.
This Theatre of the Absurd one-act lampoons theatre criticism and theatrical conventions. Only about an hour in length and little known, it has seldom been seen since its inception. Ionesco, criticized for his early brand of avant-garde work, wrote the play as a responsive satire. Portraying himself as a beleaguered playwright, Ionesco is ...