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Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
During this phase, critical literature on the style multiplied, museums for the decorative arts were established, several eighteenth-century monuments were restored, and Rococo painting was once again understood as an integral part of a global conception of interior decoration, just as it was understood in its origin.
It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well.
As opposed to Renaissance art, which usually showed the moment before an event took place, Baroque artists chose the most dramatic point, the moment when the action was occurring: Michelangelo, working in the High Renaissance, shows his David composed and still before he battles Goliath; Bernini's Baroque David is caught in the act of hurling ...
Rococo still maintained the Baroque taste for complex forms and intricate patterns, but by this point, it had begun to integrate a variety of diverse characteristics, including a taste for Oriental designs and asymmetric compositions. The Rococo style spread with French artists and engraved publications.
Rococo: Also known as Late Baroque, the final expression of the Baroque movement that began in France in the 1730s and characterized by a cheerful lightness and intimacy of tone, and an elegant playfulness in erotic light poetry and principally small literary forms [25] [26]
Complex in form and ornate with sculpture, the baldacchino serves as a great example of the Baroque ‘style’, massive and ornate, glorifying the church and the Catholic religion. This space is an example of quadratura , an attempt to create an illusion through architecture, painting, and sculpture.
In his stage designs he combined traditional Russian art with some elements of French rococo. [249] Lev Bakst studied at the Parisian Académie Julian and was a pupil of Jean-Léon Gérôme. [75] He combined Russian folk art with modern French art, with a coloristic style noted for its sense of rhythm. [250]