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Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival, [1] [2] but the existence of important Baroque art and architecture in non-absolutist and Protestant states throughout Western Europe underscores its widespread ...
Triumph of the Name of Jesus is a 17th-century fresco painting by Giovanni Battista Gaulli. [1] The fresco occupies the nave of the Church of the Gesù in Rome, with both fresco painting and stucco molding.
The Allegory of Divine Providence and Barberini Power [1] is a fresco by the Italian Baroque painter Pietro da Cortona, filling the large ceiling of the grand salon of the Palazzo Barberini in Rome, Italy. Begun in 1633, it was nearly finished in three years; upon Cortona's return from Venice, it was extensively reworked to completion in 1639.
The Musicians or Concert of Youths (c. 1595) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). [1] The work was commissioned by Cardinal Francesco Maria del Monte, who had an avid interest in music. [2]
The painting represents the allegorical victory of Christianity over Death (depicted as a skull) and Sin (depicted as a snake). It was formerly thought to have been painted around 1615, but more recent stylistic comparisons with similar Rubens works have indicated that it was more likely to have been painted slightly later, i.e. around 1618.
The Martyrdom of Saint Matthew (Italian: Martirio di San Matteo; 1599–1600) is a painting by the Italian master Michelangelo Merisi da Caravaggio.It is located in the Contarelli Chapel of the church of the French congregation San Luigi dei Francesi in Rome, where it hangs opposite The Calling of Saint Matthew and beside the altarpiece The Inspiration of Saint Matthew, both by Caravaggio.
A notary's copy of the contract between Caravaggio and Cerasi. The two lateral paintings of the Cerasi Chapel were commissioned in September 1600 by Monsignor Tiberio Cerasi, Treasurer-General to Pope Clement VIII who purchased the chapel from the Augustinian friars on 8 July 1600 and entrusted Carlo Maderno to rebuild the small edifice in Baroque style. [1]
This, his most famous painting, is a triumph of illusionism for the centre of the ceiling appears open to the sky and the figures seen from below appear to come down into the room as well as soar out of it”. [2] Stucco became one of the overall key characteristics of Baroque interiors, enhancing wall spaces, niches, and ceilings.