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Eugène Ionesco (French: [øʒɛn jɔnɛsko]; born Eugen Ionescu, Romanian: [e.uˈdʒen joˈnesku] ⓘ; 26 November 1909 – 28 March 1994) was a Romanian-French playwright who wrote mostly in French, and was one of the foremost figures of the French avant-garde theatre in the 20th century.
The Chairs (French: Les Chaises) is a one-act play by Eugène Ionesco, described as an absurdist "tragic farce".It was first performed in Paris in 1952. [1]For Ionesco's Sandaliha (The Chairs), Bahman Mohasses [2] created a number of decorative and expressive chairs that when put together suggested an abstract forest.
The Hermit follows an unnamed middle-aged Frenchman—a solitary, ineffectual clerk—who inherits a great deal of money after the death of his American uncle. He responds to this sudden wealth by quitting the job he has been working at for 15 years, and moving to a very nice apartment in the suburbs, where he bathes and shaves, reads the newspaper, eats lunch, dinner, drinks too much, thinks ...
La Cantatrice chauve – translated from French as The Bald Soprano or The Bald Prima Donna – is the first play written by Romanian-French playwright Eugène Ionesco. Nicolas Bataille directed the premiere on 11 May 1950 at the Théâtre des Noctambules, Paris.
Victims of Duty (French: Victimes du Devoir) is a one-act play written in 1953 by French-Romanian playwright Eugène Ionesco. An early work, it has not received the notoriety of his other works. This play is in the Theatre of the Absurd style, of which Ionesco was a pioneer.
Jack, or The Submission (French: Jacques ou la soumission) is an absurdist play by Eugène Ionesco, the first of two about Jack and his family (the second being The Future is in Eggs), all of whom are named after Jack (Father Jack, Mother Jack, etc.).
Some of the most important works of the century in French were written by foreign authors (Eugène Ionesco, Samuel Beckett). For Americans in the 1920s and 1930s (including the so-called " Lost Generation "), part of the fascination with France was also linked to freedom from Prohibition .
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