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Charles Blanc’s color wheel, which was influential in Divisionist theory. Divisionism, also called chromoluminarism, is the characteristic style in Neo-Impressionist painting defined by the separation of colors into individual dots or patches that interact optically.
Free-of-charge version available Spaced repetition Number of sides Supports Unicode Supports image Supports audio Other formats Printable Import-export Supports sync Plugin support Working offline Anki: AGPLv3 (personal computer, Android), proprietary Yes (except iOS) Yes Multiple Yes Yes Yes Video, LaTeX, HTML: Plugin [1] Yes Yes Yes Yes
[[Category:Arts and culture templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Arts and culture templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
Conceptual art is art wherein the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic and material concerns. [25] The inception of the term in the 1960s referred to a strict and focused practice of idea-based art that defied traditional visual criteria associated with the visual arts in its presentation as text ...
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A flashcard or flash card is a card bearing information on both sides, usually intended to practice and/or aid memorization. It can be virtual (part of a flashcard software ) or physical. Typically, each flashcard bears a question or definition on one side and an answer or target term on the other.
World art studies is a concept conceived by the art historian John Onians in the early Nineties as a new field of studies, global and with a multidisciplinary approach. [3] The multidisciplinary nature of World art studies differentiates them from world art history and global art history.
Style refers to the visual appearance of a work of art that relates to other works with similar aesthetic roots, by the same artist, or from the same period, training, location, "school", art movement or archaeological culture: "The notion of style has long been historian's principal mode of classifying works of art".