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A façade or facade (/ f ə ˈ s ɑː d / ⓘ; [1]) is generally the front part or exterior of a building. It is a loanword from the French façade (pronounced), which means "frontage" or "face". In architecture, the
Facadism, façadism, or façadomy [1] is the architectural and construction practice where the facade of a building is designed or constructed separately from the rest of a building, or when only the facade of a building is preserved with new buildings erected behind or around it.
Building façades are one of the largest, most important elements in the overall aesthetic and technical performance of a building. [1] Façade engineering is the art and science of resolving aesthetic, environmental and structural issues to achieve the effective enclosure of buildings.
The facade pattern (also spelled façade) is a software design pattern commonly used in object-oriented programming. Analogous to a façade in architecture, it is an object that serves as a front-facing interface masking more complex underlying or structural code.
Free design of the ground plan – commonly considered the focal point of the Five Points, with its construction dictating new architectural frameworks. [4] The absence of load-bearing partition walls affords greater flexibility in design and use of living spaces; the house is unrestrained in its internal use.
The facade is cliff-like, without any large projecting portico or pediment. There are several storeys with regular rows of windows which are generally differentiated between levels, and sometimes have pediments that are alternately triangular and segmental. The facade is symmetrical and usually has some emphasis around its centrally placed ...
A mansard roof on the Château de Dampierre, by Jules Hardouin-Mansart, great-nephew of François Mansart. A mansard or mansard roof (also called French roof or curb roof) is a multi-sided gambrel-style hip roof characterised by two slopes on each of its sides, with the lower slope at a steeper angle than the upper, and often punctured by dormer windows.
It has been celebrated as the foremost masterpiece of French architectural classicism since its construction, mostly between 1667 and 1674. The design, dominated by two loggias with trabeated colonnades of coupled giant columns, was created by a committee of three, the Petit Conseil, consisting of Louis Le Vau, Charles Le Brun, and Claude Perrault.