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Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism —the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 ...
The Oxford Dictionary of Music [1] states that "generally it implies a specially personal or tender quality". Instrumental music bearing the title "Romance"
Salon music was a popular music genre in Europe during the 19th century. It was usually written for solo piano in the romantic style, and is often performed by the composer at events known as "Salons". Salon compositions are usually fairly short and often focus on virtuoso pianistic displays or emotional expression of a sentimental character.
In 19th century romantic music, a piano ballad (or 'ballade') is a genre of solo piano pieces [1] [2] written in a balletic narrative style, often with lyrical elements interspersed. Emerging in the Romantic era, it became a medium for composers to explore dramatic and expressive storytelling through complex, lyrical themes and virtuosic ...
In music, it was first used by Richard Wagner in his polemical 1851 article "Oper und Drama", as a disparaging term for the French romanticism of Hector Berlioz and Giacomo Meyerbeer from 1830 onwards, which he regarded as a degenerated form of true romanticism. The word came to be used by historians of ideas to refer to music from 1850 onwards ...
Romanticism was an artistic, literary, and intellectual movement was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature. Romantic music expanded beyond the rigid styles and forms of the Classical era into more passionate, dramatic expressive pieces and songs.
Romantic music was a self-conscious break from the ideals of the Age of Enlightenment [3] as well as a reaction to socio-political desire for greater human freedom from despotism. [4] The movement sought to express the liberty, fraternity, and equality which writers such as Heinrich Heine and Victor Hugo artistically defended by creating new ...
The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre.Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France.