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Fim Thái (Phim Thái Lan) Fim Việt (Phim Việt Nam) Fim Hàn (Phim Hàn Quốc) 8 Fim (8 Phim) Chảo lửa thách đấu - Xgaming; Mẹ vắng nhà, ba là siêu nhân; Nhà hát truyền hình; Thời để nhớ; Hát vì yêu; Phim truyện; Sao nhập ngũ; Ca nhạc; Vợ chồng son; Hành trình 1735+ Phim giá đời thực
Starting in 2003, ' The Most Beloved Vietnam Television Dramas' Voting Contest (Vietnamese: Cuộc thi bình chọn phim truyền hình Việt Nam được yêu thích nhất) is held annually or biennially by VTV Television Magazine to honor Vietnamese television dramas broadcast during the year(s) on two channels VTV1-VTV3. [27]
Trịnh Công Sơn, Kim Cương, Sơn Nam, Kiên Giang, Miên Ðức Thắng: Feature Film: Trịnh Công Sơn (1939-2001), Vietnamese anti-war songwriter and posthumous recipient of the 2004 World Peace Music Awards, starred in this full-length dramatic feature film Đường về quê mẹ (Road Back to the Motherland) Bùi Đình Hạc
Broadcast Title Eps. Prod. Cast and crew Theme song(s) Genre Notes 11 Mar–3 Jul [17] [18] [19] [20]Trạm cứu hộ trái tim (Heart Rescue Station) 51 VFC Vũ Trường Khoa (director); Nguyễn Thu Thủy, Nguyễn Nhiệm, Thùy Dương, Lương Ly, Đỗ Lê (writers); Hồng Diễm, Quang Sự, Trương Thanh Long, Lương Thu Trang, Đồng Thu Hà, Phạm Cường, Mỹ Uyên, Thúy ...
Mai (stylized as: MɅI) is a 2024 Vietnamese romantic drama film directed by Tran Thanh. [4] By March 1, 2024, after 20 days of release, the film officially grossed over 500 billion VND, becoming the highest-grossing film in Vietnamese box office history. [5]
Đào Duy Phúc (director); Hà Anh Thu, Phạm Phương Thảo, Đặng Thu Hà, Tống Phương Dung (writers); Bành Mai Phương (editor); Trương Minh Quốc Thái, Thúy Hằng, Thu Quỳnh, Tô Dũng, Mạnh Quân, Kim Ngọc, Nguyễn Kim Oanh, Lan Hương 'Bông', Trọng Trinh, Nguyễn Tiến Quang, Hằng Nga, Tiến Lộc, Trần ...
A critic from Báo Cần Thơ Online wrote that the film "has a topical and thorny topic but requires more to be truly a good movie. However, director Khuong Ngoc and his crew tried to bring a meaningful film, warning about the negative effects of social networks and making the audience somewhat reconsider their current use of social networks ...
The film opens with scene An (Đinh Ngọc Diệp) constantly sleepwalking. Every time she wakes up she is in a distant place. Looking for solutions to these strange dreams, and at the same time finding a way to save the daughter who is slowly dying of cancer, An discovers the life of the immortal man (Quách Ngọc Ngoan) and the dark secrets.