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The Raising of Lazarus, Rembrandt.Oil on panel. 37 15/16 x 32 in. (96.36 x 81.28 cm). c. 1630-1632. Los Angeles County Museum of Art. The Raising of Lazarus is an oil-on-panel painting by the Dutch artist Rembrandt from early in his career; it was probably painted between 1630 and 1632.
The Resurrection: 1635–1639: Oil on canvas: 92.9 x 67: Alte Pinakothek, Munich The Entombment of Christ: 1630s: Grisaille, panel: 32.1 x 40.3: Hunterian Museum and Art Gallery, Glasgow The Visitation: 1640: Oil on panel: 56.5 x 47.8: Detroit Institute of Arts: The Holy Family with St Anne: 1640: Oil on panel: 40.6 x 34: Musée du Louvre, Paris
The following is a list of paintings by Rembrandt that are accepted as autograph by the Rembrandt Research Project. For other catalogues raisonnés of Rembrandt, see the "Rembrandt" navigation box below.
Rembrandt's father: c. 1630: Oil paint: Melville Wassermann Study of an old man (Rembrandt's father) c. 1630: Oil on panel: 46.9 x 38.8: Mauritshuis, The Hague Man with a Hat (Portrait of Rembrandt's Father) 1630s: Oil paint: Statens Museum for Kunst Bust of an Old Man in a Fur Cap: 1629: Oil on panel: 22.2 x 17.7: Tyrolean State Museum ...
The Raising of Lazarus (Rembrandt) The Resurrection of Lazarus; S. The Raising of Lazarus (Sebastiano del Piombo)
According to the Gospel of Luke, the road to Emmaus appearance is one of the early post-resurrection appearances of Jesus after his crucifixion and the discovery of the empty tomb. [ 1 ] [ 2 ] [ 3 ] Both the meeting on the road to Emmaus and the subsequent supper at Emmaus, depicting the meal that Jesus had with two disciples after the ...
Rembrandt Painting Discovered in a Maine Attic Sells for $1.4 Million. Sydney Wingfield. September 9, 2024 at 11:51 AM. An auctioneer found the painting stored in an attic during a visit to a ...
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]