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This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4), tuned to 440 Hz (referred to as A440). [1] [2] Every octave is made of twelve steps called semitones.
Graph showing the frequencies and value in cents of the notes of the equal-tempered diatonic scale tuned to concert pitch (A4 = 440Hz), starting with C1 and ending with C5 (middle C = C4). Horizontal grid lines correspond to the harmonic series for C1.
English: This is a 88 key piano layout with octaves illustrated and hovering that reveals the frequency for the key. (The numbered octaves are black on transparency. They will not show up if the image is displayed on a black background, such as if the background of your browser is set to black, or is black when you open images separately.)
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
Note names, keyboard positions, frequencies and MIDI numbers; Music notation systems − Frequencies of equal temperament tuning – The English and American system versus the German system; Frequencies of musical notes; Learn How to Read Sheet Music; Free music paper for printing and downloading
English: Graph showing the frequencies and value in cents of the notes of the equal-tempered diatonic scale tuned to concert pitch (A4 = 440Hz), starting with C1 and ending with C5 (middle C = C4). Vertical grid lines correspond to equal-tempered semitones.
The frequencies of the harmonic series, being integer multiples of the fundamental frequency, are naturally related to each other by whole-numbered ratios and small whole-numbered ratios are likely the basis of the consonance of musical intervals (see just intonation). This objective structure is augmented by psychoacoustic phenomena.
In music, an interval ratio is a ratio of the frequencies of the pitches in a musical interval. For example, a just perfect fifth (for example C to G) is 3:2 ( Play ⓘ ), 1.5, and may be approximated by an equal tempered perfect fifth ( Play ⓘ ) which is 2 7/12 (about 1.498).