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The Quarrymen – "That'll Be the Day"/"In Spite of All the Danger" (UK 78–rpm, acetate in plain sleeve, 1958). Only one copy made. The one existing copy is currently owned by Paul McCartney. Record Collector magazine listed the guide price at £200,000 in issue 408 (December 2012). McCartney had some "reissues" pressed in 1981 on UK 10-inch ...
The Great 78 Project is an initiative developed by the Internet Archive which aims to digitize 250,000 78 rpm singles (500,000 songs) from the period between 1880 and 1960, donated by various collectors and institutions.
The compilation was named after, and inspired by, a feature on Peel's BBC Radio show, in which Sheila would play 78 rpm records in between other tracks. The compilation's contents vary "from English brass bands, schmaltzy dance music and yodelling, to early rock ‘n' roll and traditional music from China and Africa" according to the record ...
The Discography of American Historical Recordings (DAHR) is a database catalog of master recordings made by American record companies during the 78rpm era. [1] The 78rpm era was the time period in which any flat disc records were being played at a speed of 78 revolutions per minute. [2]
Do Not Sell At Any Price was widely and favorably reviewed. [4] [5] [6] Randall Roberts described the book in the Los Angeles Times as a "thoughtful, entertaining history of obsessed music collectors and their quest for rare early 78 rpm records."
Harry E. Smith (1923–1992): thousands, specialized in American folk music, tried to donate to Ash Records (later Folkways Records), instead partially released on Anthology of American Folk Music and other LPs. [65] Robert Crumb (born 1943): over 8,000 78 rpm records, including many rarities from the 1920s and 1930s. [66]
The most common rotational speeds for gramophone records are 33 + 1 ⁄ 3 revolutions per minute (rpm), 45 rpm, and 78 rpm. Established as the only common rotational speed prior to the 1940s, the 78 became increasingly less common throughout the 1950s and into more modern decades as the 33 and the 45 became established as the new standards for ...
Warner/Brunswick Records introduced the Melotone label in the U.S. and Canada as a budget subsidiary issuing 78 rpm disc records. It then became part of the American Record Corporation collection of labels in 1932. The original price was 50 cents, but was reduced to 35 cents or 3 for a $1.00 by 1932. The label was disestablished in 1938.