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The Quarrymen – "That'll Be the Day"/"In Spite of All the Danger" (UK 78–rpm, acetate in plain sleeve, 1958). Only one copy made. The one existing copy is currently owned by Paul McCartney. Record Collector magazine listed the guide price at £200,000 in issue 408 (December 2012). McCartney had some "reissues" pressed in 1981 on UK 10-inch ...
Do Not Sell At Any Price was widely and favorably reviewed. [4] [5] [6] Randall Roberts described the book in the Los Angeles Times as a "thoughtful, entertaining history of obsessed music collectors and their quest for rare early 78 rpm records."
The 78rpm era was the time period in which any flat disc records were being played at a speed of 78 revolutions per minute. [2] The DAHR provides some of these original recordings, free of charge, via audio streaming, [ 1 ] along with access to the production catalogs of those same companies.
Oct. 13—Richard Hinds settles the tonearm gently into the grooves of the 78 record, and the music of Jelly Roll Morton and the Red Hot Peppers rises from the rotating disc and buzzes the room.
The compilation was named after, and inspired by, a feature on Peel's BBC Radio show, in which Sheila would play 78 rpm records in between other tracks. The compilation's contents vary "from English brass bands, schmaltzy dance music and yodelling, to early rock ‘n' roll and traditional music from China and Africa" according to the record ...
The Daniel Jan Walikis Polka Collection, with 2,000 LPs and singles devoted to polka and Eastern European music. The Richard Thayer Skidmore Collection, which includes 1,400 78s and over a hundred LPs of jazz music. The KUSF Collection, donated by the University of San Francisco’s online radio station, including all of its 78 rpm singles.
Warner/Brunswick Records introduced the Melotone label in the U.S. and Canada as a budget subsidiary issuing 78 rpm disc records. It then became part of the American Record Corporation collection of labels in 1932. The original price was 50 cents, but was reduced to 35 cents or 3 for a $1.00 by 1932. The label was disestablished in 1938.
In the days of 78 rpm records, before recording tape was commonly used (up to approx. 1950), audio recordings were cut directly to disc. The recording studio would assign a number to the song to be recorded, which would become the main part of the matrix number, and several takes would be made, with the take number inscribed in the matrix area.