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The East Pagoda (東塔, Tō-tō), completed in 730 during the Nara period, is the only original 8th-century structure at Yakushi-ji. [1] The structure stands at 34 metres (112 ft), and is regarded as one of the finest pagodas in Japan, representing the architecture of the Hakuhō to Tenpyō periods.
Kebara temple ruins (毛原廃寺跡, Kebara haiji ato) is an archeological site with the ruins of a Nara period Buddhist temple located in the Kebara neighborhood of the village of Yamazoe, Nara, Japan. It was designated as a National Historic Site in 1926, with the area under protection expanded in 2021. [1]
It was originally used in the Kon-dō and Kō-dō (lecture halls) of Buddhist temples, but started to be used also in shrines later, during the Japanese Middle Ages. [30] The name derives from its hip and gable roof (入母屋屋根, irimoya yane). In Japan the gable is right above the edge of the shrine's moya, while the hip covers the hisashi ...
A torii at the entrance of Shitennō-ji, a Buddhist temple in Osaka. In Japan, Buddhist temples co-exist with Shinto shrines and both share the basic features of Japanese traditional architecture. [3] Both torii and rōmon mark the entrance to a shrine, as well as to temples, although torii is associated with Shinto and rōmon with Buddhism.
Many of the monuments are also National Treasures of Japan, and reflect an important age of Buddhist influence in Japan. The structures include 21 buildings in the Hōryū-ji East Temple, 9 in the West Temple, 17 monasteries and other buildings, and the pagoda in Hokki-ji. [1]
Japanese Buddhist architecture is the architecture of Buddhist temples in Japan, consisting of locally developed variants of architectural styles born in China. [1] After Buddhism arrived from the continent via the Three Kingdoms of Korea in the 6th century, an effort was initially made to reproduce the original buildings as faithfully as possible, but gradually local versions of continental ...
A new style termed wayō (和様, Japanese style) emerged with the following characteristics: a main hall divided in two parts; an outer area for novices and an inner area for initiates; a hip-and-gable roof that covered both areas; a raised wooden floor instead of the tile or stone floors of earlier temples; extended eaves to cover the front ...
In addition to the temple's famous building, the property features wooded grounds covered with a variety of mosses. This Japanese garden was supposedly designed by the great landscape artist Sōami. In the later periods of Japanese garden history, fine stones were transported from a ruined or impoverished garden to a new one.