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Michelangelo di Lodovico Buonarroti Simoni was born on 6 March 1475 [c] in Caprese, known today as Caprese Michelangelo, a small town situated in Valtiberina, [10] near Arezzo, Tuscany. [11] For several generations, his family had been small-scale bankers in Florence ; but the bank failed, and his father Ludovico briefly took a government post ...
Antonio del Pollaiuolo, Portrait of a Young Woman (1470–1472), Museo Poldi Pezzoli, Milan. Facade of Santa Maria Novella (1456) Michelangelo, Doni Tondo (1503–1504). The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th.
High Renaissance style in architecture conventionally begins with Donato Bramante, whose Tempietto at S. Pietro in Montorio at Rome was begun in 1510. The Tempietto, signifies a full-scale revival of ancient Roman commemorative architecture. David Watkin writes that the Tempietto, like Raphael's works in the Vatican (1509–1511), "is an ...
Michelangelo was at his most Mannerist in the design of the vestibule of the Laurentian Library, also built by him to house the Medici collection of books at the convent of San Lorenzo, Florence, the same San Lorenzo's at which Brunelleschi had recast church architecture into a Classical mold and established clear formula for the use of ...
The later Michelangelo was one of the great models of Mannerism. [5] Young artists broke into his house and stole drawings from him. [20] In his book Lives of the Most Eminent Painters, Sculptors, and Architects, Giorgio Vasari noted that Michelangelo stated once: "Those who are followers can never pass by whom they follow". [20]
According to Giorgio Vasari, shortly after the installation of his Pietà, Michelangelo overheard someone remark (or asked visitors about the sculptor) that it was the work of another sculptor, Cristoforo Solari, whereupon Michelangelo signed the sculpture. [11] Michelangelo carved the words on the sash running across Mary's chest.
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After this, sculptors of large works had to react to the enormous force of Michelangelo's figures. [164] In 1504 Michelangelo received the first of the enormous painting commissions, for the Battle of Cascina (never completed), that were to take him away from sculpture for much of his career, and leave many sculptural projects unfinished. [165]