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The intellective soul is hence the form by which “man is a being in act, a body, a living thing, an animal and a man” (Summa theologiae I a, q. 76, a. 6, ad 1). By the act of intellection, which, in its exercise, is independent of the body, Thomas tried to demonstrate that the soul is capable of existing without the body: “Hence the ...
Feuerbach resolves the essence of religion into the essence of man [menschliches Wesen = 'human nature']. But the essence of man is no abstraction inherent in each single individual. In reality, it is the ensemble of the social relations. Feuerbach, who does not enter upon a criticism of this real essence is hence obliged: 1.
The result of any such conflict is that the man-made law does "not oblige in the court of conscience" (ST, I–II q. 95 a. 4), [2] [3] since human law is a determinatio of divine or natural law, and a lower law cannot contradict a higher law. Natural law theorists and others have thusly challenged many man-made laws over the years, on the ...
In Marx's Concept of Man, Erich Fromm provides a detailed analysis of Karl Marx's ideas about human nature and how those ideas informed his economic and political theories. Fromm shows how Marx's conception of man as a "species-being" who is fundamentally social and cooperative, rather than selfish and individualistic, shaped his vision of a ...
Rule of man [a] (where "man" is used in a genderless manner [6]) is a type of personal rule in an unaccountable rebounded [clarification needed] society where rules change from ruler to ruler. It is a society in which one person , regime , or a group of persons , rules arbitrarily.
Hume's introduction presents the idea of placing all science and philosophy on a novel foundation: namely, an empirical investigation into human psychology.He begins by acknowledging "that common prejudice against metaphysical reasonings [i.e., any complicated and difficult argumentation]", a prejudice formed in reaction to "the present imperfect condition of the sciences" (including the ...
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"Man versus man", such as is depicted here in the battle between King Arthur and Mordred, is particularly common in traditional literature, fairy tales and myths. [ 1 ] Traditionally, conflict is a major element of narrative or dramatic structure that creates challenges in a story by adding uncertainty as to whether the goal will be achieved.