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Shiva, Chola bronze, 12th-century Chinese wooden Guanyin in "royal ease" pose, Song dynasty Lalitasana is a pose or mudra in Indian art and the art of dharmic religions in other countries. It is often called "the royal position" or " royal ease " in English, and is a relaxed pose typical in royal portraits and those of religious figures whose ...
Pose implies an artistic, aesthetic, athletic, or spiritual intention of the position. Attitude refers to postures assumed for purpose of imitation, intentional or not, as well as in some standard collocations in reference to some distinguished types of posture: "Freud never assumed a fencer's attitude, yet almost all took him for a swordsman." [2]
A single asana is listed for each main pose, whether or not there are variations. Thus for Sirsasana (Yoga headstand), only one pose is illustrated, although the pose can be varied by moving the legs apart sideways or front-and-back, by lowering one leg to the floor, by folding the legs into lotus posture, by turning the hips to one side, by placing the hands differently on the ground, and so on.
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
Like many other poses used in traditional Indian dance, including Odissi, Bharata Natyam and Kathak, Tribhangi or Tribhanga can be found in Indian sculpture as well. . Traditionally the Yakshi is shown with her hand touching a tree branch, and a sinuous pose, tribhanga pose, as is Salabhanjika, whose examples dating to the 12th century can be found in the Hoysala temples of Belur, in south ...
These dance positions of a single dancer may be further detailed into body, head, arm, hand, leg, and foot positions; also, these positions in a dance couple can additionally take into account connection, the relative orientation of partners, and directions of movement (or of movement intention).
A 2019 eye tracking study, by showing that contrapposto acts as supernormal stimulus and increases perceived attractiveness, has provided evidence and insight as to why, in artistic presentation, goddesses of beauty and love are often depicted in contrapposto pose. [4] This was later supported in a neuroimaging study. [5]
In modern yoga as exercise, the handstand is among the inverted poses; it is known as Adho Mukha Vrksasana, [11] Downward-facing Tree Pose. In traditional hatha yoga in the 18th and 19th centuries, the Vyayāmadipike , which calls it the "second gardam ", and the Śrītattvanidhi use the handstand in a sequence involving touching the nose to ...