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Credibility gap is a term that came into wide use with journalism, political and public discourse in the United States during the 1960s and 1970s. At the time, it was most frequently used to describe public skepticism about the Lyndon B. Johnson administration's statements and policies on the Vietnam War . [ 1 ]
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The Credibility Gap was an American satirical comedy team active from 1968 through 1979. They emerged in the late 1960s delivering comedic commentary on the news for the Los Angeles AM rock radio station KRLA 1110 , and proceeded to develop more elaborate and ambitious satirical routines on the "underground" station KPPC-FM in Pasadena, California.
Joanne Lipman (born June 18, 1961) is an American journalist and author who has served as chief editor at USA Today, the USA Today Network, Conde Nast, and The Wall Street Journal's Weekend Journal. She is the author of That's What She Said: What Men Need to Know (and Women Need to Tell Them) About Working Together .
Credibility dates back to Aristotle's theory of Rhetoric.Aristotle defines rhetoric as the ability to see what is possibly persuasive in every situation. He divided the means of persuasion into three categories, namely Ethos (the source's credibility), Pathos (the emotional or motivational appeals), and Logos (the logic used to support a claim), which he believed have the capacity to influence ...
To go further and approach the topic in a diverse way, this essay page points at the lack of images on Wikipedia when it comes to represent women. This absence of visual culture ( portraits , self-portraits , drawings , etc.) reinforces the fact that female personalities are nor strongly present neither portrayed.
The biography of a woman born before 1900 is generally within the scope of this project. The biography of a woman born between 1900 and 1950 is within the scope of this project if reliable sources discuss her life or career in the context of women's history or as contributing to significant societal or cultural change.
The Credibility Gap broke up in 1976 when Lander and McKean left to perform in the sitcom Laverne & Shirley. [3] Shearer started working with Albert Brooks, producing one of Brooks' albums and co-writing the film Real Life (1979). Shearer also started writing for Martin Mull's television series Fernwood 2 Night. [3]