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A log line or logline is a brief (usually one-sentence) summary of a television program, film, short film or book, that states the central conflict of the story, often providing both a synopsis of the story's plot, and an emotional "hook" to stimulate interest. [1] A one-sentence program summary in TV Guide is a log line. [2] "
The most common organization of a plot section is generally a self-contained section (designated by == Plot == or sometimes == Synopsis ==). By convention, story plots are written in the narrative present—that is, in the present tense, matching the way that the story is experienced. [3] Provide a comprehensive plot summary.
The term plot, however, in common usage (for example, a "film plot") can mean a narrative summary or story synopsis, rather than a specific cause-and-effect sequence. It can even refer to the whole narrative broadly.
The contrasting three, where only the third has positive value, for example, The Three Little Pigs, two of whose houses are blown down by the Big Bad Wolf. The final or dialectical form of three, where, as with Goldilocks and her bowls of porridge, the first is wrong in one way, the second in an opposite way, and the third is "just right".
A synopsis (pl.: synopses) is a brief summary of the major points of a subject or written work or story, either as prose or as a table; an abridgment or condensation of a work. Synopsis or synopsys may also refer to: Video synopsis, an approach to create a short video summary of a long video
A Tale of Two Cities is a historical novel published in 1859 by English author Charles Dickens, set in London and Paris before and during the French Revolution.The novel tells the story of the French Doctor Manette, his 18-year-long imprisonment in the Bastille in Paris, and his release to live in London with his daughter Lucie whom he had never met.
It was produced for the Royal Shakespeare Company in 1976, winning the Laurence Olivier Award for best musical on its transfer to the West End in 1977. Oh, Brother! is a musical comedy in one act, with music by Michael Valenti and books and lyrics by Donald Driver, which premiered at ANTA Theatre in 1981, also directed by Driver.
The reason I used an old version is that it was a great example of an overly excessive plot and why they are bad. The wider range of examples are a good point, and exactly what I was hoping for.--Laukku TheGreit (Talk•Contribs) 12:13, 25 November 2009 (UTC)