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SATB is an initialism that describes the scoring of compositions for choirs or consorts of instruments. The initials are for the voice types : S, soprano , A, alto , T, tenor and B, bass . It can also describe a choir, collectively for SATB music.
SATB arrangements by Robin Doveton Toshiba-EMI/Eastworld CC38-3076 1983/CD and Vinyl (recorded May 1981) Greensleeves The Scholars/English Folk Songs Arrangements for 5 voices (SATBarB) by Robin Doveton, John Rutter, Gordon Langford (Sea Shanties) et al. A landmark very early digitally recorded CD made before editing became practicable. Each ...
2 Arrangements. Toggle Arrangements subsection ... Download as PDF; Printable version; In other projects Wikimedia Commons; Wikidata item; ... Choir (SATB, acapella ...
Mowing the Barley (1967), for SATB choir and orchestra; Six English Lyrics (1967), for SATB choir and string orchestra; Carol Arrangements (1969), for a cappella SATB double choir; O Sanctissima (1969), for SATB choir and piano; Sonnet "On Hearing the Dies Irae Sung in the Sistine Chapel" (1969), for a cappella SATB choir
Six Lieder for four mixed voices or SATB chorus a cappella, Op. 41 (1834–38) Three Lieder for bass voice and piano, Op. Posth. 84 (1831–39) Six Songs for voice and piano, Op. 47 (1832–39) Ersatz für Unbestand, TTBB chorus a cappella (1839) (WoO 8) (MWV G 25) Der erste Frühlingstag for four mixed voices or SATB chorus a cappella, Op. 48 ...
SATB (Optional Children's Choir, Congregation, Trumpet, and Keyboard) This is a joyful hymn by James and Marilyn Biery to the familiar tune Marion. It is suitable for any service or interfaith service that can include a hymn of praise. Choral Sentences for Holy Week and Easter SATB a cappella/Solo or Unison/SATB and Organ
Three Shakespeare Songs is a piece of classical choral music written for an a cappella SATB choir. It was written in 1951 by the British classical composer Ralph Vaughan Williams. The work comprises three short pieces which are settings of text from two plays by the English playwright William Shakespeare. It is published by Oxford University Press.
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.