Search results
Results From The WOW.Com Content Network
Guillermo Estrella Tolentino (July 24, 1890 – July 12, 1976) was a Filipino sculptor and professor of the University of the Philippines. He was designated as a National Artist of the Philippines for Sculpture in 1973, three years before his death.
The Oblation statue in UP Diliman Oblation Plaza The original Oblation located at the U.P. Diliman Main Library Building At UP Los Baños. The Oblation (Filipino: Pahinungod, Oblasyon) is a concrete statue by Philippine National Artist Guillermo Tolentino that serves as one of the symbols of the University of the Philippines.
The Bonifacio Monument, which was sculpted by Guillermo Tolentino in 1933, is an obelisk that rises to a height of 13.7 meters (45 ft); the obelisk is made up of five parts representing five aspects of the society, "Kataastaasan, Kagalanggalang na Katipunan ng mga Anak ng Bayan" (transl. Highest and Most Venerable Association of the Sons of the Nation).
Caedo's career as a sculptor began in the year 1925 when he worked with Guillermo E. Tolentino's atelier as student-assistant and protégé. He assisted Tolentino in creating most of his landmark commissions like: the UP Oblation; the Bonifacio Monument in Caloocan; the Rizal Monument in front of the Rizal Provincial Capitol; and the Shaw Monument at Shaw Boulevard in Mandaluyong to name a few.
José García Villa [1] (August 5, 1908 – February 7, 1997) was a Filipino poet, literary critic, short story writer, and painter.He was awarded the National Artist of the Philippines title for literature in 1973, [2] [3] as well as the Guggenheim Fellowship in creative writing by Conrad Aiken. [4]
As a young artist, Navarro was very passionate in creating new ways of art. He experimented with different kinds of art media such as oil, acrylic, and watercolor.
Guillermo Tolentino; National Scientists. Several UP alumni and faculty members have been named as National Scientists of the Philippines. This is the highest award ...
Through his continuous propagation of modern art as shown in his works and teachings, Edades proved that modernists were not fooling people as Guillermo Tolentino asserted. Dialectically, Edades explained that modern art is not anti-classicist. He said, "From the technical point of view, Modern Art is an outgrowth of Classical Art.