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The most well known of southern Ghanaian drum traditions is the kete and adowa drum and bell ensembles. Music can also be linked to traditional religions . An exception to this rule is the Akan tradition of singing with the Seperewa harp-lute which had its origins in the stringed harps of the north and west.
Some African drums can even imitate consonants by hitting the drum with a stick or hand at different angles and with different parts of the stick or hand. The Ewe also play a pair of two drums called atumpan (pronounced ah-toom-pahn), which are used all over Ghana as talking drums. The atumpan player stands up and plays the drum with two sticks ...
Kpanlogo (pronounced "PAHN-loh-goh"), traditionally named Tswreshi or Treshi is a type of barrel drum that is associated with Kpanlogo music, and is usually played with two hands. The drum originates from the Ga people of the Greater Accra Region in Ghana, West Africa. Kpanlogo is the name of a rhythm played on the tswreshi.
Kpanlogo music uses three types of instruments: nono (metal bell), fao (gourd rattle), and kpanlogo drums. Nono plays the key pattern or timeline of the music, supported by the fao. It is common to have three kpanlogo drums in an ensemble, in the roles of "male voice", "female voice" and "master drum". Main kpanlogo bell pattern
Agbadza is an Ewe music and dance that evolved from the times of war into a very popular recreational dance. [1] It came from a very old war dance called Atrikpui and usually performed by the Ewe people of the Volta Region of Ghana, particularly during the Hogbetsotso Festival, a celebration by the Anlo Ewe people.
Goonji/Gonjey/Goge – Traditional one stringed-fiddle played by a majority of other sahelian groups in West Africa. Gungon – Bass snare drum of the Lunsi ensemble. Of northern origin, it is played throughout Ghana by various groups, known by southern groups as brekete. Related to the Dunun drums of other West African peoples.
Ewe music is the music of the Ewe people of Togo, Ghana, and Benin, West Africa. Instrumentation is primarily percussive and rhythmically the music features great metrical complexity. Its highest form is in dance music including a drum orchestra, but there are also work (e.g. the fishing songs of the Anlo migrants [1]), play, and other songs.
From eastern Mali, Burkina Faso and Ghana, towards Niger, western-Chad and Nigeria, (with the exceptions of areas with Fulani and Mande-speaking majorities) the playing style of the talking drum is centered on producing long and sustained notes by hitting the drum head with the stick-holding hand and the accompanying free hand used to dampen ...