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"Still" is a 1979 song by the soul music group the Commodores. It was released as a single on Motown Records with "Such a Woman" as the B-side. The song appears on their 1979 hit album Midnight Magic. [2] This was their last No. 1 hit in the United States.
Like the group's three previous albums, To Our Children's Children's Children is a concept album with a common theme that ties the songs together. For Children, the band was inspired by the space race and the July 1969 Apollo 11 moon landing, which occurred during the album's sessions.
This is a partial list of recorded songs containing the '50s progression. The list does not include songs containing the progression for very short, irrelevant sections of the songs. In some cases, such as "Blue Moon", it includes notable remade recordings of songs ("covers") by other artists; but mostly the songs are shown in their original ...
Let’s be honest: Love songs always hit right in the feels. A ballad can transform from a regular song into the soundtrack of your relationship—whether you’re celebrating your 25th ...
The track was covered by The Crew-Cuts, who took the song to the top of the charts, arguably registering the first U.S. rock and roll number one hit record. [ 2 ] The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed ...
"That's the Thing About Love" is a song written by Richard Leigh and Gary Nicholson, and recorded by American country music artist Don Williams. It was released in March 1984 as the first single from the album Cafe Carolina. The song was Williams' sixteenth number one on the country chart.
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement.Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition.
"Sweet Love" is a soul/R&B ballad written by Lionel Richie and recorded by American R&B vocal group Commodores. It became their first Top 10 pop hit in the US, where the single peaked at number five on the Billboard Hot 100 [ 4 ] and number two on the Billboard Hot Soul Singles chart in 1976, while in the UK, it reached number 32, becoming ...