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This leopard-print robe, featuring kimono sleeves, side pockets and an adjustable tie at the waist, is made from 100% Mulberry silk that's 100% machine-washable.
' long under-robe ') A long under-kimono worn by both men and women beneath the main outer garment, [2]: 61 sometimes simply referred to as a juban. Since silk kimono are delicate and difficult to clean, the nagajuban helps to keep the outer kimono clean by preventing contact with the wearer's skin (paralleling the European petticoat).
The kesa is worn over a Chinese-style long robe, called jikitotsu (直裰) which was also developed in China, [14] [15] and had a belt or sash tied at the waist. [13] Zen Buddhist monks wear a form of formal dress which is composed of two kimono, covered by the jikitotsu; and the kesa is finally worn on top of the jikitotsu. [15]
The uchiginu: a scarlet beaten silk robe worn as a stiffener and support for the outer robes. The uwagi: a patterned and decorated silk robe, typically with woven decoration, both shorter and narrower than the uchiginu. The colour and fabric used for the uwagi indicate the rank of the wearer. The karaginu: a waist-length Chinese style jacket.
Silk threads are glued together with igisu, and stretched, preparing them for shimebata. Shimebata 締機. Shimebata is the technique used to make the kasuri threads. The white silk threads are tightly woven with cotton threads creating a dense mat. Areas of the silk threads are exposed according to the design.
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]