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Automixers balance multiple sound sources based on each source's level, quickly and dramatically adjusting the various signal levels automatically. [2] Automixers are used in live sound reinforcement to maintain a steady limit on the overall signal level of the microphones; if a public address system is set up so that one microphone will not feed back, then, in general, the automixer will ...
This means that (1) moving the microphone closer to the sound source increases the signal level produced by the microphone, and (2) moving the microphone further away from undesirable noise sources will diminish the amount of noise in the microphone signal. Microphone placement is therefore an important aspect of gain staging [citation needed].
To maximize gain before feedback, the amount of sound energy that is fed back to the microphones must be reduced as much as is practical.As sound pressure falls off with 1/r with respect to the distance r in free space, or up to a distance known as reverberation distance in closed spaces (and the energy density with 1/r²), it is important to keep the microphones at a large enough distance ...
In either instance, the purpose of the microphone preamplifier is the same. A microphone preamplifier is a sound engineering device that prepares a microphone signal to be processed by other equipment. Microphone signals are often too weak to be transmitted to units such as mixing consoles and recording devices with adequate quality
Voltage vs. time of sine waves at reference and line levels, with V RMS, V PK, and V PP marked for the +4dBu line level. A line level describes a line's nominal signal level as a ratio, expressed in decibels, against a standard reference voltage. The nominal level and the reference voltage against which it is expressed depend on the line level ...
In live sound mixing, GBF is dependent on a wide variety of conditions: the pickup pattern (polar pattern) of the microphone, the frequency response of the microphone and of the rest of the sound system, the number of active microphones and loudspeakers, the acoustic conditions of the environment including reverberation and echo, and the relative positions of the microphones, the loudspeakers ...
In an amplifier, a presence control boosts the upper mid-range frequencies to make the sounds of voices and instruments with similar tonal ranges seem more "present". [1]On television production studio's sound desk, there can be several presence controls, for several different, switchable, frequencies. [2]
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