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F. B. Pinion thought it "a remarkable achievement, light and engaging throughout", [29] and Mary Moorman rated it as one of Wordsworth's best poems. [30] "Yarrow Unvisited" has had a perceptible influence on 20th-century literature.
In the view of one Wordsworth biographer, Mary Moorman (1906–1994), "The identity of 'Lucy' has been the problem of critics for many years. But Wordsworth is a poet before he is a biographer, and neither 'Lucy' nor her home nor his relations with her are necessarily in the strict sense historical.
The beginning of the poem, according to Wordsworth biographer Mary Moorman, depicts a "creative sleep of the senses when the 'soul' and imagination are most alive." [6] This idea appears in other poems by Wordsworth, including Tintern Abbey. [6] The space between stanza one and stanza two depicts a transition of Lucy from life into death.
Poems Composed or Suggested during a Tour in the Summer of 1833 1835 Address from the Spirit of Cockermouth Castle 1833 " 'Thou look'st upon me, and dost fondly think," Poems Composed or Suggested during a Tour in the Summer of 1833 1835 Nun's Well, Brigham 1833 "The cattle crowding round this beverage clear"
Nevertheless, Wordsworth's biographer Mary Moorman notes that Dorothy was excluded from the poem, even though she had seen the daffodils together with Wordsworth. The poem itself was placed in a section of Poems in Two Volumes entitled "Moods of my Mind" in which he grouped together his most deeply felt lyrics.
That same year, she married John Moorman, an Anglican cleric who rose to become the Bishop of Ripon. She is best known today for her two-volume biography of the poet William Wordsworth. The first volume came out in 1957, followed by a second volume in 1966. The latter won the James Tait Black Memorial Prize for biography.
Mary Moorman, William Wordsworth: A Biography: The Later Years, 1803–1850 v. 2, Oxford University Press, 1965, ISBN 978-0198116172 M. R. Tewari, One Interior Life—A Study of the Nature of Wordsworth's Poetic Experience (New Delhi: S. Chand & Company Ltd, 1983)
By the 1960s and 1970s, the reception of the poem was mixed but remained overall positive. Mary Moorman analysed the poem in 1965 with an emphasis on its biographical origins and Wordsworth's philosophy on the relationship between mankind and nature.