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In woodworking, a trestle table is a table consisting of two or three trestle supports, often linked by a stretcher (longitudinal cross-member), over which a board or tabletop is placed. [1] In the Middle Ages , the trestle table was often little more than loose boards over trestle legs for ease of assembly and storage. [ 2 ]
Dutch furniture craftsman Gerrit Jensen was appointed royal Cabinet Maker to the king and queen, and a great many works of his design were sold to wealthy British citizens of the day. [ 7 ] In Britain, case furniture [ b ] in the William and Mary style tended to feature simple flat surfaces but exquisitely carved trim. [ 1 ]
Although marquetry is a technique separate from inlay, English marquetry-makers were called "inlayers" throughout the 18th century. In Paris, before 1789, makers of veneered or marquetry furniture (ébénistes) belonged to a separate guild from chair-makers and other furniture craftsmen working in solid wood (menuisiers).
Furniture created in the Art Nouveau style was prominent from the beginning of the 1890s to the beginning of the First World War in 1914. It characteristically used forms based on nature, such as vines, flowers and water lilies, and featured curving and undulating lines, sometimes known as the whiplash line, both in the form and the decoration.
Often the age, rarity, condition, utility, or other unique features make a piece of furniture desirable as a collectors' item, and thus termed an antique. [1] The antique furniture pieces reflect the style and features of the time they were made; this can be called the antique's "period" (Edwardian, Tudor, Colonial, etc.).
In the later period of the Elizabethan, the Italians themselves may have supplied artists and workmen for the furniture, but they must have worked hampered by the tastes and prejudices existing around them. A certain rudeness of carving prevails throughout the earlier part of the style, and is considered to give breadth of effect.
Boulle work [1] (also known as buhl work) is a type of rich marquetry [2] process or inlay perfected by the French cabinetmaker André-Charles Boulle (1642–1732). [3] It involves veneering furniture with tortoiseshell inlaid primarily with brass and pewter in elaborate designs, often incorporating arabesques.
Thomas Chippendale (June 1718 – 1779) was an English woodworker in London, designing furniture in the mid-Georgian, English Rococo, and Neoclassical styles. In 1754 he published a book of his designs in a trade catalogue titled The Gentleman and Cabinet Maker's Director—the most important collection of furniture designs published in England to that point which created a mass market for ...