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The Armani Junior brand was introduced in 1979. [79] The junior line consists of baby clothing, accessories, T-shirts, pullovers, suits, shoes, hats, shirts, belts, bags, and underwear. [80] In 2006, Giorgio Armani signed a licensing agreement with Mirella Srl for the production and distribution of the two lines’ footwear. [81]
"I always did 'spise a mule" mechanical bank J. & E. Stevens was a business in Cromwell, Connecticut formed by John and Elisha Stevens in 1843 to make cast-iron hardware, hammers, and iron toys. The success of their toy products, including cap guns, led to a refocus on toys. [ 1 ]
Mechanical banks are small containers with a decorative mechanical action, used to store coins. They were originally intended to promote saving money among children in the mid-19th century. Frequently made of cast iron , mechanical banks were often creatively designed, depicting historical, legendary or everyday events to increase their appeal.
For decades, Giorgio Armani has been keen to keep a tight grip on his eponymous fashion company. But now, the nearly 90-year-old Italian mogul is keeping his options open about the future of the ...
Armani is credited with pioneering red-carpet fashion. [11] Armani was the first designer to ban models with a body mass index (BMI) under 18, after model Ana Carolina Reston starved herself to death due to anorexia nervosa. [12] Armani broadcast his collection live on the Internet, the first in the world of haute couture, on 24 January 2007.
The Bear Original Berf Shirt. $15.00. Buy Now on teepublic. The Richie-inspired tops are available in a range of sizes on TeePublic and Etsy. Redbubble also offers the shirt in tons of color ...
There are primarily two types of iron-on labels: a form of material tape; and a form of vinyl similar to that used on graphic t-shirts. With the vinyl type the objective is to effectively melt the label onto the cloth so the label and garment become one, hence a permanent bond. The application of a label typically takes about 10–15 seconds ...
By reviewing the historical and technological developments of the mechanical means for reproducing a work of art, Benjamin establishes that artistic reproduction is not a modern human activity, such as the industrial arts of the foundry and the stamp mill in Ancient Greece (12th–9th c. BC), and the modern arts of woodcut relief-printing and ...