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The character's name is a loose Italian translation of "red herring" (aringa rosa; rosa actually meaning ' pink ', and very close to rossa, ' red '). [ 9 ] A red herring is found in the first Sherlock Holmes story, A Study in Scarlet , where the murderer writes at the crime scene the word Rache ('revenge' in German), leading the police—and ...
The use of a MacGuffin as a plot device predates the name MacGuffin. The Holy Grail of Arthurian legend has been cited as an early example of a MacGuffin. The Holy Grail is the desired object that is essential to initiate and advance the plot, but the final disposition of the Grail is never revealed, suggesting that the object is not of significance in itself. [8]
The function of a red herring is to divert the audience's attention away from something significant. Red herrings are very common plot devices in mystery, horror, and crime stories. The typical example is in whodunits, in which facts are presented so that the audience is tricked into thinking that an innocent character is the murderer.
Red herring Presenting data or issues that, while compelling, are irrelevant to the argument at hand, and then claiming that it validates the argument. [citation needed] In 1807, William Cobbett wrote how he used red herrings to lay a false trail, while training hunting dogs—an apocryphal story that was probably the origin of the idiom ...
A common misconception is that the reveal itself is a Chekhov's gun plot element. There are however exceptions in the James Bond films; in Licence to Kill for example, Bond gets an instant camera with a built-in laser gun that takes X-ray pictures, but is immediately used for comedic effect and makes no further appearance in the film.
Examples of this include the speaker or writer: [48] Diverting the argument to unrelated issues with a red herring (Ignoratio elenchi) Insulting someone's character (argumentum ad hominem) Assuming the conclusion of an argument, a kind of circular reasoning, also called "begging the question" (petitio principii) Making jumps in logic (non sequitur)
Foreshadowing is often confused with other literary devices. A red herring is a hint designed to mislead the audience. Foreshadowing only hints at a possible outcome within the confinement of a narrative and leads readers in the right direction.
The power of emotions to influence judgment, including political attitudes, has been recognized since classical antiquity. Aristotle, in his treatise Rhetoric, described emotional arousal as critical to persuasion, "The orator persuades by means of his hearers, when they are roused to emotion by his speech; for the judgments we deliver are not the same when we are influenced by joy or sorrow ...