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Written in the aftermath of the disappearance of Rumi’s beloved spiritual teacher, Shams-i Tabrizi, the Divan is dedicated to Shams and contains many verses praising him and lamenting his disappearance. [4] Although not a didactic work, the Divan still explores deep philosophical themes, particularly those of love and longing. [5]
Shams-i Tabrīzī (Persian: شمس تبریزی) or Shams al-Din Mohammad (1185–1248) was a Persian [1] Shafi'ite [1] poet, [2] who is credited as the spiritual instructor of Mewlānā Jalāl ad-Dīn Muhammad Balkhi, also known as Rumi and is referenced with great reverence in Rumi's poetic collection, in particular Diwan-i Shams-i Tabrīzī.
He went out, never to be seen again. It is rumoured that Shams was murdered with the connivance of Rumi's son, 'Ala' ud-Din; if so, Shams indeed gave his head for the privilege of mystical friendship. [56] Rumi's love for, and his bereavement at the death of, Shams found their expression in an outpouring of lyric poems, Divan-e Shams-e Tabrizi ...
Diwan (poetry), a collection of Persian, Arabic, Turkish, or Urdu poetry Diwan (Nasir Khusraw) by Nasir Khusraw; Diwan-e Shams-e Tabrizi by Rumi; West-östlicher Divan by Goethe; Diwân, a 1998 album by Rachid Taha; Diwan 2, a 2006 album by Rachid Taha; Diwan, a 2003 Indian Tamil-language film; Diwan, a character in the anime series Skyland
It incorporates a variety of Islamic wisdom, but primarily focuses on emphasizing inward personal Sufi interpretation. In contrast to Rumi's Divan-i Shams-i Tabrizi, the Masnavi is a relatively "sober" text. It explains the various dimensions of spiritual life and practice to Sufi disciples and anyone who wishes to ponder the meaning of life. [8]
The second type of Persian poetry is lyric poetry, such as the ghazals of Hafez, or the spiritual poems in Rumi's collection known as the Diwan-e Shams-e Tabrizi. These tend to be in longer metres, usually of 14 to 16 syllables long, in tetrameter form (i.e. with four feet in each hemistich or half-verse).
This book is about a thirteenth century poet, Shams Tabrizi, who was the spiritual teacher to Rumi. [10] The book presents Shams's Forty Love Rules at different intervals. [ 12 ] [ 13 ] Sweet Blasphemy was structured in a way to focus on the five elements of nature: Water, Air, Earth, Fire and Void.
Born in Tabriz, according to Dust Muhammad, Ja‛far was trained in the classic six scripts (al-aqlam al-sitta) by Shams al-Din Qattabi, whose line of tutelage went back to ‛Abdallah Sayrafi (d. after 1345/46). His teacher of nastaliq was ‛Abdallah, son of Mir Ali Tabrizi (14th