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The typical axes for infrared color–color diagrams have (H–K) on the horizontal axis and (J–H) on the vertical axis (see infrared astronomy for information on band color designations). On a diagram with these axes, stars which fall to the right of the main sequence and the reddening bands drawn are significantly brighter in the K band ...
In astronomy, the color index is a simple numerical expression that determines the color of an object, which in the case of a star gives its temperature. The lower the color index, the more blue (or hotter) the object is. Conversely, the larger the color index, the more red (or cooler) the object is.
Color temperature is a parameter describing the color of a visible light source by comparing it to the color of light emitted by an idealized opaque, non-reflective body. The temperature of the ideal emitter that matches the color most closely is defined as the color temperature of the original visible light source.
Modern observational versions of the chart replace spectral type by a color index (in diagrams made in the middle of the 20th Century, most often the B-V color) of the stars. This type of diagram is what is often called an observational Hertzsprung–Russell diagram, or specifically a color–magnitude diagram (CMD), and it is often used by ...
Galaxy color–magnitude diagram – Chart depicting the relationship between brightness and mass of large star systems; Galaxy Zoo – Crowdsourced astronomy project; William Wilson Morgan – American astronomer; Fritz Zwicky – Swiss astronomer (1898–1974)
A mock-up of the galaxy color–magnitude diagram with three populations: the red sequence, the blue cloud, and the green valley. The galaxy color–magnitude diagram shows the relationship between absolute magnitude (a measure of luminosity) and mass of galaxies.
The system is defined using a set of color optical filters in combination with an RMA 1P21 photomultiplier tube. [2] The choice of colors on the blue end of the spectrum was assisted by the bias that photographic film has for those colors. It was introduced in the 1950s by American astronomers Harold Lester Johnson and William Wilson Morgan.
Filters can be used to increase contrast and enhance the details of the Moon and planets. All of the visible spectrum colors each have a filter, and every color filter is used to bring a certain lunar and planetary feature; for example, the #8 yellow filter is used to show Mars's maria and Jupiter's belts. [7]