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Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.
The fragile wax patterns must withstand forces encountered during the mould making. Much of the wax used in investment casting can be reclaimed and reused. [2] Lost-foam casting is a modern form of investment casting that eliminates certain steps in the process.
Investment casting was invented in 4500–4000 BC in Southeast Asia [1] and carbon dating has established mining at Alderley Edge in Cheshire, UK, at 2280 to 1890 BC. [6] Ötzi the Iceman, a male dated from 3300 to 3200 BC, was found with an axe with a copper head 99.7% pure; high levels of arsenic in his hair suggest his involvement in copper ...
The lost-wax casting technique Robinson developed is a modified version of the bronze casting technique. It involves creating a plaster mould which is filled with molten wax. The mould is then removed (and can be reused) and the wax is encased in a heat-resistant covering and placed in the kiln.
Centrifugal casting, or centrifuging, [1] is used as a means of casting small, detailed parts or jewelry. [2] An articulated arm is free to spin around a vertical axle, which is driven by an electric motor or a spring. The entire mechanism is enclosed in a tub or drum to contain hot metal should the mold break or an excess of metal be used.
The lost wax process originated in ancient Mesopotamia. The earliest known record of lost-wax casting is a clay tablet written in cuneiform in the ancient city of Sparta, Babylon, which specifically records how much wax is needed to cast a key. [6] The earliest-known castings in the global archaeological record were made in open stone molds. [7]
Thus, he began using the "lost wax" casting method, which involves carving a piece of wax, casting it, and creating a mold. [5] Using a nail, a screwdriver, and his wax casting method, Robert created "Lady with an Urn," his first professional figurine.
In addition to the main aspects of casting production – filling, crystallization, and porosity prediction, ProCAST is capable of predicting the occurrence of deformations and residual stresses in the casting and can be used to analyze processes such as core making, centrifugal casting, lost wax casting, continuous casting. [32]