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The song was first called "And Did Those Feet in Ancient Time" and the early scores have this title. The change to "Jerusalem" seems to have been made about the time of the 1918 Suffrage Demonstration Concert, perhaps when the orchestral score was published (Parry's manuscript of the orchestral score has the old title crossed out and "Jerusalem ...
The preface to Milton includes the poem "And did those feet in ancient time", which was set to music as the hymn called "Jerusalem". The poem appears after a prose attack on the influence of Greek and Roman culture, which is unfavourably contrasted with "the Sublime of the Bible". The preface to Milton, as it appeared in Blake's own illuminated ...
The next verse alludes to "And did those feet in ancient time", an early 19th-century poem by William Blake that a young Sting would likely have studied in grammar school, later adapted into the Anglican hymn, "Jerusalem", in describing the nuclear plants as "dark satanic mills [that] have made redundant all our mining skills".
A verse from "And did those feet in ancient time", William Blake poem also known as the hymn "Jerusalem" A book from Adina Hoffman , published in 2016 Topics referred to by the same term
The best-known version of William Blake's poem "And did those feet in ancient time" is the song "Jerusalem", with music by Hubert Parry, which was orchestrated by Edward Elgar in 1922 for a large orchestra at the Leeds Festival.
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A. Abide with Me; All Creatures of Our God and King; All for Jesus, All for Jesus; All Glory, Laud and Honour; All Hail the Power of Jesus' Name; All My Hope on God is Founded
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