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Medieval ships were the vessels used in Europe during the Middle Ages. Like ships from antiquity , they were moved by sails , oars , or a combination of the two. There was a large variety, mostly based on much older, conservative designs.
The larger ships, which could not be pulled across the sand bars, had to sail around the Jutland peninsula and circumnavigate the dangerous Cape Skagen to get to the Baltic. [23] This resulted in major modifications to old ship structures, which can be observed by analyzing the evolution of the earliest cog finds of Kollerup, Skagen, and Kolding.
A popular design of European origin is the carrack, which utilized caravel construction techniques, allowing ships to increase in size dramatically, far past that which was capable with clinker building techniques. [4] Seen throughout the 14th and 15th century, these ships were used for trade between European powers and their foreign markets.
As the predecessor of the galleon, the carrack was one of the most influential ship designs in history; while ships became more specialized in the following centuries, the basic design remained unchanged throughout this period. [1] Replica of a small 15th-century or 16th-century carrack at Vila do Conde, Portugal
As time progressed the design became much more like that of a church with staggered and multi-layer roofs. The entrance to the ritual houses had ornamental designs. Rituals were completed outside the structure as it often involved burning and sacrifice of animals; due to this, the Vikings developed the outside of the houses to be ornamental ...
Long known to locals, the Maderö wreck was first visited by divers in 1969, who described it as a large medieval trading ship filled with bricks. In the decades since, other divers visited the ...
Medieval galleys instead developed a projection, or "spur", in the bow that was designed to break oars and act as a boarding platform for taking enemy ships. The only remaining examples of ramming tactics were occasional attempts to collide with enemy ships in order to destabilize or capsize them.
The fact that the trireme had three levels of oars (trikrotos naus) led medieval historians, long after the specifics of their construction had been lost, to speculate that the design of the "four", the "five" and the other later ships would proceed logically, i.e. that the quadrireme would have four rows of oars, the quinquereme five, etc. [8 ...