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Thornton's recording of "Hound Dog" is credited with "helping to spur the evolution of black R&B into rock music". [9] Brandeis University professor Stephen J. Whitfield, in his 2001 book In Search of American Jewish Culture, regards "Hound Dog" as a marker of "the success of race-mixing in music a year before the desegregation of public schools was mandated" in Brown v.
Hound dog, hound dog, hound dog (You ain’t nothin’ but a) Player gettin’ valeted around in that ho whip Two fingers up, one down with my toes ten Flewed out with my boobs out, put a cork in it
The song's lyrics refer to a man who was an "underwhelming lover" [3] whom Doja Cat feels "never deserved her attention". [4] Produced by Rogét Chahayed and Yeti Beats, it samples Shonka Dukureh's recording of the song "Hound Dog", which was written by Jerry Leiber and Mike Stoller, first recorded by Big Mama Thornton (who Dukureh plays in the film) in 1952 and notably covered by Presley.
Tuning with the "my dog has fleas" mnemonic. Play ⓘ Chart of common soprano ukulele chords. One of the most common tunings for the standard or soprano ukulele is C 6 tuning: G 4 –C 4 –E 4 –A 4, which is often remembered by the notes in the "My dog has fleas" jingle (see sidebar). [51]
"You Ain't Goin' Nowhere" is a song written by the American musician Bob Dylan in 1967 in Woodstock, New York, during the self-imposed exile from public appearances that followed his July 29, 1966 motorcycle accident.
Sidney Simien (April 9, 1938 – February 25, 1998), known professionally as Rockin' Sidney, was an American R&B, zydeco, and soul musician who began recording in the late 1950s and continued performing until his death.
"You Ain't Seen Nothin' Yet" is a song performed by Lisa Marie Presley, written by Presley, James Bryan McCollum and Sacha Skarbek. [1] [2] It is from her Storm & Grace album, and was released as a single on April 10, 2012. The song was described by the Presley Foundation's own website as having an "ominous, swampy vibe." [3]
"It Don't Mean a Thing (If It Ain't Got That Swing)" is a 1931 composition by Duke Ellington with lyrics by Irving Mills. It is now accepted as a jazz standard , and jazz historian Gunther Schuller characterized it as "now legendary" and "a prophetic piece and a prophetic title". [ 1 ]