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Thornton's recording of "Hound Dog" is credited with "helping to spur the evolution of black R&B into rock music". [9] Brandeis University professor Stephen J. Whitfield, in his 2001 book In Search of American Jewish Culture, regards "Hound Dog" as a marker of "the success of race-mixing in music a year before the desegregation of public schools was mandated" in Brown v.
Hound dog, hound dog, hound dog (You ain’t nothin’ but a) Player gettin’ valeted around in that ho whip Two fingers up, one down with my toes ten Flewed out with my boobs out, put a cork in it
The song's lyrics refer to a man who was an "underwhelming lover" [3] whom Doja Cat feels "never deserved her attention". [4] Produced by Rogét Chahayed and Yeti Beats, it samples Shonka Dukureh's recording of the song "Hound Dog", which was written by Jerry Leiber and Mike Stoller, first recorded by Big Mama Thornton (who Dukureh plays in the film) in 1952 and notably covered by Presley.
In 1997, Alligator Records released Hound Dog Taylor: A Tribute, a 14-track tribute album in which Taylor's songs are covered by Luther Allison, Elvin Bishop, Cub Koda (with Taylor's band, the HouseRockers), Gov't Mule, Sonny Landreth, and others. [11] A "Deluxe Edition" series compilation album followed in 1999.
He was often backed by George Lewis on harmonica and Katie Webster on piano. Floyd Soileau's Jin Records label released nine Rockin' Sidney singles between 1957–1964. Sidney also recorded on Rod Records. In 1963 his single "No Good Woman" on the Ville Platte label sold well in South Louisiana and East Texas and was well received by music ...
"You Ain't No Street Walker Mama, Honey but I Do Love the Way You Strut Your Stuff" – 18:56 ... John Simon – piano, electric piano; John Hall – Electric guitar ...
I Ain't Got Nothin' but the Blues" is a 1937 song composed by Duke Ellington, with lyrics written by Don George. [1] Notable recordings Duke ...
"Ain't That Lovin' You, Baby" is an upbeat blues song, written and recorded by Jimmy Reed. [2] The single reached number eight in the US Billboard R&B chart in late March 1956. [ 3 ] Backing Reed (guitar, harmonica, and vocal) are Eddie Taylor (guitar), Vernel Fournier (drums), and an unknown guitarist.