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1950–1970 Usmar Ismail (20 March 1921 – 2 January 1971) was an Indonesian film director , author, journalist and revolutionary of Minangkabau descent. He is widely regarded as the native Indonesian pioneer of the cinema of Indonesia .
Indonesia was an important country in developing the Non-Aligned Movement, hosting the Bandung Conference in 1955. Indonesia had relentlessly pursued its claim to Dutch New Guinea from 1950 to 1962, despite facing multiple setbacks in the UN General Assembly in getting its claim recognised by the international community.
Around 1964 there were 700 movie theaters in Indonesia, which fell to 350 in 1965. The post-independence era was greatly influenced by the 30 September Movement, which led to a dilemma for local movie theater owners when the local films produced weren't enough to fill the program slot. The economic crash had put the growing industry on hold and ...
Indonesia and Malaysia are two neighbouring nations that share similarities in many aspects. [3] Both Malaysia and Indonesia have many common characteristic traits, including standard frames of reference in history, culture and religion. Although both countries are separate and independent states, there are also profoundly embedded similarities ...
This was further exarcebated with the Konfrontasi declared by Indonesia towards Malaysia causing a ban of Singaporean films from the Indonesian market. [7] Even with the separation from the Federation, Lee's government throughout his tenure placed little priority on continuing its own homegrown film-making culture in preference to policies ...
Movie theaters are not the only place to buy boxed candy — you can get boxes of chocolate or candy at some drug stores or online — but even then they’re called theater box candy, a label ...
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Title Director Cast Genre Notes 1950: Darah dan Doa: Usmar Ismail: 1951: Akibat: Awaludin: Enam Djam Di Djogdja: Usmar Ismail: Selamat Berdjuang, Masku! H Asby