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Grok (/ ˈ ɡ r ɒ k /) is a neologism coined by American writer Robert A. Heinlein for his 1961 science fiction novel Stranger in a Strange Land.While the Oxford English Dictionary summarizes the meaning of grok as "to understand intuitively or by empathy, to establish rapport with" and "to empathize or communicate sympathetically (with); also, to experience enjoyment", [1] Heinlein's concept ...
The vocabulary includes words used in science fiction books, TV and film. A second category rises from discussion and criticism of science fiction, and a third category comes from the subculture of fandom. It describes itself as "the first historical dictionary devoted to science fiction", tracing how science fiction terms have developed over time.
After the Second World War, science fiction moved towards more mutualistic relationships, as in Ted White's 1970 By Furies Possessed; Brian Stableford argues that White was consciously opposing the xenophobia of Robert Heinlein's 1951 The Puppet Masters which involved a parasitic relationship close to demonic possession, with a more positive ...
The co-editor of the science fiction journal Extrapolation and a professor of English at the University of Georgia, Isaiah Lavender III, notes the usefulness of the dictionary for academic analysis of issues, saying "Having these origin dates in mind can help a student or scholar build a framework to analyze something like the concept of the ...
Science Fiction Literature through History: An Encyclopedia is a 2021 reference work written by science fiction scholar Gary Westfahl and published by ABC-Clio/Greenwood.The book contains eight essays on the history of science fiction, eleven thematic essays on how different topics relate to science fiction, and 250 entries on various science fiction subgenres, authors, works, and motifs.
Terraforming is well represented in contemporary literature, usually in the form of science fiction, as well as in popular culture. [1] [2] While many stories involving interstellar travel feature planets already suited to habitation by humans and supporting their own indigenous life, some authors prefer to address the unlikeliness of such a concept by instead detailing the means by which ...
All women have evolved to be beautiful, in an illustration by Paul Merwart for a 1911 edition of Camille Flammarion's 1894 novel La Fin du Monde.. Evolution has been an important theme in fiction, including speculative evolution in science fiction, since the late 19th century, though it began before Charles Darwin's time, and reflects progressionist and Lamarckist views as well as Darwin's. [1]
Body horror, or biological horror, is a subgenre of horror fiction that intentionally showcases grotesque or psychologically disturbing violations of the human body or of another creature. [1] These violations may manifest through aberrant sex, mutations, mutilation, zombification, gratuitous violence, disease, or unnatural movements of the body.