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A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (orally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches.
The actual notes in a fully implemented quarter-comma scale (requiring about 31 keys per octave instead of only 12) would be consonant, like all of the uncolored intervals: The dissonance is the consequence of replacing the correct quarter-comma notes with wrong notes that happen to be assigned to the same key on the 12 tone keyboard. As ...
[3] "in which four of the 12 pitches of the chromatic scale are tuned a quarter tone flat" [4]...until' version 7 for guitar (1980). [5] Hans Barth Concerto for Quarter Tone Piano and Quarter Tone Strings (1930) [6] Béla Bartók. String Quartet No. 6; the third movement Burletta contains quarter-tone tuning used for parodistic effect. [7]
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
The modern Arab tone system, or system of musical tuning, is based upon the theoretical division of the octave into twenty-four equal divisions or 24-tone equal temperament, the distance between each successive note being a quarter tone (50 cents). Each tone has its own name not repeated in different octaves, unlike systems featuring octave ...
The values indicated by the scale at the left are deviations in cents with respect to equal temperament. Quarter-comma meantone, which tempers each of the twelve perfect fifths by 1 / 4 of a syntonic comma, is the best known type of meantone temperament, and the term meantone temperament is often
Comparison between tunings: Pythagorean, equal-tempered, quarter-comma meantone, and others.For each, the common origin is arbitrarily chosen as C. The degrees are arranged in the order or the cycle of fifths; as in each of these tunings except just intonation all fifths are of the same size, the tunings appear as straight lines, the slope indicating the relative tempering with respect to ...
In music, the major fourth and minor fifth, also known as the paramajor fourth and paraminor fifth, are intervals from the quarter-tone scale, named by Ivan Wyschnegradsky to describe the tones surrounding the tritone (F ♯ /G ♭) found in the more familiar twelve-tone scale, [1] as shown in the table below: