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Livor mortis (from Latin līvor 'bluish color, bruise' and mortis 'of death'), postmortem lividity (from Latin post mortem 'after death' and lividitas 'black and blueness'), hypostasis (from Greek ὑπό (hypo) 'under, beneath' and στάσις (stasis) 'a standing') [1] [2] or suggillation, is the second stage of death and one of the signs of ...
Rigor mortis, the limbs of the corpse become stiff (Latin rigor) and difficult to move or manipulate; Putrefaction, the beginning signs of decomposition; Of these, with obvious mortal damage to the body, the textbook conclusive signs of death clear to a lay person are: algor mortis, rigor mortis, livor mortis, and putrefaction. [13]
The human skull is an obvious and frequent symbol of death, found in many cultures and religious traditions. [1] Human skeletons and sometimes non-human animal skeletons and skulls can also be used as blunt images of death; the traditional figures of the Grim Reaper – a black-hooded skeleton with a scythe – is one use of such symbolism. [2]
A fresh pig carcass. At this stage the remains are usually intact and free of insects. The corpse progresses through algor mortis (a reduction in body temperature until ambient temperature is reached), rigor mortis (the temporary stiffening of the limbs due to chemical changes in the muscles), and livor mortis (pooling of the blood on the side of the body that is closest to the ground).
Putrefaction is the fifth stage of death, following pallor mortis, livor mortis, algor mortis, and rigor mortis. This process references the breaking down of a body of an animal post-mortem . In broad terms, it can be viewed as the decomposition of proteins , and the eventual breakdown of the cohesiveness between tissues, and the liquefaction ...
Algor mortis, the reduction in body temperature following death. This is generally a steady decline until matching ambient temperature; Rigor mortis, the limbs of the corpse become stiff (Latin rigor) and difficult to move or manipulate; Livor mortis, a settling of the blood in the lower (dependent) portion of the body
In The Sexuality of Christ in Renaissance Art and in Modern Oblivion, [6] art historian and critic Leo Steinberg alleges that a number of Renaissance era artists depicted Jesus Christ with an emphasis on his genitalia — including after the crucifixion with a post-mortem erection — a motif which Steinberg named ostentatio genitalium.
Since blood is no longer being pumped through the body, gravity causes it to drain to the dependent portions of the body, creating an overall bluish-purple discoloration termed livor mortis or, more commonly, lividity. Depending on the position of the body, these parts would vary.