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Don Juan (Spanish: [doŋ ˈxwan]), also known as Don Giovanni , is a legendary, fictional Spanish libertine who devotes his life to seducing women. The original version of the story of Don Juan appears in the 1630 play El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest) by Tirso de Molina.
Don Juan and the Commendatore [1] (Spanish: Don Juan y la estatua del Comendador or El burlador de Sevilla) is a painting by the Spanish artist Francisco Goya.It belongs to a series of six cabinet paintings, each approximately 43 × 30 cm, with witchcraft as the central theme.
The Temple establishment therefore co-operated with the aristocracy in the exploitation of the poor. One of the first acts of the First Jewish-Roman War was the burning of the debt records in the archives. [33] Pope Francis sees the Cleansing of the Temple not as a violent act but more of a prophetic demonstration. [34]
Frontispiece illustration of a bust of Lord Byron in the 1824 edition of Don Juan. (Benbow publisher) Byron was a prolific writer, for whom "the composition of his great poem, Don Juan, was coextensive with a major part of his poetical life"; he wrote the first canto while resident in Italy in 1818, and the 17th canto in early 1823. [3]
The second, A Structural Analysis, is an attempt, Castaneda says, at "disclos[ing] the internal cohesion and the cogency of don Juan’s Teachings." [3] The 30th-anniversary edition, published by the University of California Press in 1998, contains commentary by Castaneda not present in the original edition.
Don Juan draws his own sword and kills Don Gonzalo. With his final breath, Don Gonzalo swears to haunt Don Juan. Don Juan leaves the house just in time to find Mota and give him his cape back and flees. Mota is immediately seen wearing the same cloak as the man who murdered Don Gonzalo and is arrested.
Don Juan (Russian: Дон Жуан) is an 1862 drama by Aleksey Konstantinovich Tolstoy, first published in the April issue of The Russian Messenger magazine. [1] Don Juan never appeared on stage during its author's lifetime. In 1891, its production was deemed "unsuitable" by censors.
Don Juan Tenorio: Drama religioso-fantástico en dos partes (Don Juan Tenorio: Religious-Fantasy Drama in Two Parts) is a play written in 1844 by José Zorrilla. It is the more romantic of the two principal Spanish-language literary interpretations of the legend of Don Juan .