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For example, scholars have used the relationships between different myths to trace the development of religions and cultures, to propose common origins for myths from different cultures, and to support various psychoanalytical theories. The comparative study of mythologies reveals the trans-national motifs that unify spiritual understanding ...
A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [1] A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does.
Debate between sheep and grain; Debate between silver and copper; Debate between Winter and Summer; Debate between the hoe and the plough; Debate between tree and reed; Dionysus in comparative mythology; Doves as symbols; Dying-and-rising god
Due to some similarities between S.E.C.C. and contemporary Mesoamerican cultures (i.e., artwork with similar aesthetics or motifs; maize-based agriculture; and the development of sophisticated cities with large pyramidal structures), scholars from the late 1800s to mid-1900s suspected there was a connection between the two locations.
The earliest examples of Christian basilicas have not survived, but the mosaics of Santa Constanza and Santa Pudenziana, both from the 4th century, still exist. In another great Constantinian basilica, the Church of the Nativity in Bethlehem , the original mosaic floor with typical Roman geometric motifs is partially preserved.
The Nightmare (1781), by Johann Heinrich Füssli, Detroit Institute of Arts, Detroit. Symbolism, understood as a means of expression of the "symbol", that is, of a type of content, whether written, sonorous or plastic, whose purpose is to transcend matter to signify a superior order of intangible elements, has always existed in art as a human manifestation, one of whose qualities has always ...
It can also be defined as art that portrays one species of animal like another species of animal or art that uses animals as a visual motif, sometimes referred to as "animal style". Depicting deities in animal form (theriomorphism) is an example of zoomorphism in a religious context. [2]
Twisting and curving line forms have a long history in art and design. Whiplash curves have similarities with the arabesque design, used particularly in Islamic art, such as the ceramic tiles of the mosque of Samarkand in Central Asia. Curvilinear design is a noticeable element of Gothic architecture, in, for example, church window tracery.