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Not much is known about the particular vocal stylings or performance practices used for Gregorian chant in the Middle Ages. On occasion, the clergy was urged to have their singers perform with more restraint and piety. This suggests that virtuosic performances occurred, contrary to the modern stereotype of Gregorian chant as slow-moving mood music.
"Viderunt omnes" is a Gregorian chant based on Psalm XCVIII (98), sung as the gradual [1] at the Masses of Christmas Day and historically on its octave, the Feast of the Circumcision. Two of the many settings of the text are famous as being among the earliest pieces of polyphony by known composers, Léonin and Pérotin of the Notre Dame school.
Panis angelicus (Franck): Scores at the International Music Score Library Project "Bread of Angels", Gregorian Chants; Panis angelicus: Text, translations and list of free scores by several composers at the Choral Public Domain Library (ChoralWiki) Archival sheet music for "Panis Angelicus", Oliver Ditson Company, 1901.
The "usual book" or "common book" also contains chants for specific rituals, such as nuptial Masses, Requiem Masses and the Office of the Dead, ordinations, and Benediction. This modal, monophonic Latin music has been sung in the Catholic Church since at least the sixth century to the present day.
In chant, a reciting tone (also called a recitation tone) can refer to either a repeated musical pitch or to the entire melodic formula for which that pitch is a structural note. In Gregorian chant , the first is also called tenor , dominant or tuba , while the second includes psalm tones (each with its own associated Gregorian mode ) as well ...
A plagal mode (from Greek πλάγιος 'oblique, sideways, athwart') [7] [8] has a range that includes the octave from the fourth below the final to the fifth above. The plagal modes are the even-numbered modes 2, 4, 6 and 8, and each takes its name from the corresponding odd-numbered authentic mode with the addition of the prefix "hypo-": Hypodorian, Hypophrygian, Hypolydian, and ...