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Cultural imperialism (also cultural colonialism) comprises the cultural dimensions of imperialism. The word "imperialism" describes practices in which a country engages culture ( language , tradition , ritual , politics , economics ) to create and maintain unequal social and economic relationships among social groups.
Media imperialism (sometimes referred to as cultural imperialism) is an area in the international political economy of communications research tradition that focuses on how "all Empires, in territorial or nonterritorial forms, rely upon communications technologies and mass media industries to expand and shore up their economic, geopolitical, and cultural influence."
Hence he analyzes cultural objects to understand how imperialism functions: "For the enterprise of empire depends upon the idea of having an empire. . . and all kinds of preparations are made for it within a culture; then, in turn, imperialism acquires a kind of coherence, a set of experiences, and a presence of ruler and ruled alike within the ...
In Marxist philosophy, cultural hegemony is the dominance of a culturally diverse society by the ruling class who shape the culture of that society—the beliefs and explanations, perceptions, values, and mores—so that the worldview of the ruling class becomes the accepted cultural norm. [1]
Unlike cultural imperialism theory, focusing on power relations between Western and non-Western countries by emphasizing cultural production in terms of the production of popular culture and the circulation of cultural content, the discourse on platform imperialism includes several core areas, such as intellectual property, the global digital ...
Cultural homogenization is an aspect of cultural globalization, [1] [2] listed as one of its main characteristics, [3] and refers to the reduction in cultural diversity [4] through the popularization and diffusion of a wide array of cultural symbols—not only physical objects but customs, ideas and values. [3]
The idea of cultural globalization emerged in the late 1980s, but was diffused widely by Western academics throughout the 1990s and early 2000s. For some researchers, the idea of cultural globalization is reaction to the claims made by critics of cultural imperialism in the 1970s and 1980s. [3]
John Sinclair FAHA is a sociologist [1] of international media, communication and culture. Based in Melbourne, Australia, he is acknowledged internationally for his published work on the global television and advertising industries, particularly as they have developed in Latin America and Asia.