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Decoration technique whereby small moulded pieces of body are applied to an article before firing. Results in a relief decoration, such as is characteristic of Jasperware made by Wedgwood. [17] Spraying Glazing pottery by the application of a glaze suspension via a compressed air gun, similar to that for applying paint to cars. Also called ...
In lower-fired pottery, the changes include sintering, the fusing together of coarser particles in the body at their points of contact with each other. In the case of porcelain, where higher firing-temperatures are used, the physical, chemical and mineralogical properties of the constituents in the body are greatly altered.
Such a design may also be called the Greek fret or Greek key design, although these terms are modern designations; this decorative motif appears much earlier and among Near and Far eastern cultures that are far from Greece.
Another special type is the Panathenaic prize amphora, with black-figure decoration, produced exclusively as prize vessels for the Panathenaia and retaining the black-figure technique for centuries after the introduction of red-figure vase painting. Some examples bear the inscription "ΤΩΝ ΑΘΗΝΗΘΕΝ ΑΘΛΩΝ" meaning "[I am one] of ...
Straw is the dominant additive and is often visible in incisions and on the surface. These straw particles range from fine to large, with a large amount of large particles (over 5 mm). The straw is preserved as charred particles, appearing as white or grey silica and as impressions in the paste. Nile clay C occurs in all periods and regions ...
A snow globe with a figurine of Santa Claus Video of a snow globe. Motive: Vienna. A snow globe (also called a waterglobe, snowstorm, [1] or snowdome) is a transparent sphere, traditionally made of glass, enclosing a miniaturized scene of some sort, often together with a model of a town, neighborhood, landscape or figure.
A scheme of decoration employed in Romanesque and Gothic architecture, where arches are thrown from alternate piers, interlacing or intersecting one another. In the former case, the first arch mould is carried alternately over and under the second, in the latter the mouldings actually intersect and stop one another.
The motif is found in decoration in nearly every medium. The relationship between acanthus ornament and the acanthus plant has been the subject of a long-standing controversy. Alois Riegl argued in his Stilfragen that acanthus ornament originated as a sculptural version of the palmette , and only later began to resemble Acanthus spinosus .